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Jay Roach – “The Rose Battle”: Dispute over Favorite Toys

Jay Roach – “The Rose Battle”: Dispute over Favorite Toys

Two alpha animals try to fight the ranking, also mentioned: long -term marriage

Photo: Searchlight Pictures/Jaap Buitendijk

The Rose War »is probably the best -known exchange of blows of the 80s. In Danny Devito’s cult film, a sneaky love story converts into bitter hatred. Barbara (Kathleen Turner) and Oliver Rose (Michael Douglas) are fighting with a salted food and broken dishes after almost 20 happy marriage until they hang together in the iconic finale on the chandelier and crash with him. Even in death, they don’t shake hands.

With “Die Rosenschlacht”, director Jay Roach finds its own, more modern access to the original staged story in the original. Many truths about a modern marriage are in Tony McNamara’s script without the new edition being instructive. Instead, she convinces with a large portion of British humor. An unexpectedly good team are Olivia Colman and Benedict Cumberbatch as a new canvas couple. Your joy of playing is.

The first scene with a couple therapist alone sets the sarcastic tone of the film. When the therapist from Theo (Benedict Cumberbatch) and Ivy (Olivia Colman) asks about a positive list list, Theo’s first argument is unexpectedly funny and bizarre (is not revealed here). Ivy then counters dry: “He has arms.” Various other parts of the body are also praised, over time the arguments are becoming increasingly evil. In the end, the visibly desperate therapist gives up, Ivy and Theo call for a pricing in the event of a serious, half of the fun and, with a laugh. Because: Even in the passionate argument, they agree.

In retrospect, you can find out how you got to know each other. Theo escapes into the restaurant kitchen at an incredibly annoying business meeting, where he hits my cook. It sparks immediately. The next day he spontaneously moves into the much -sung, picturesque Mendocino. They become parents and Ivy gives up their job as a cook. From now on, the roles are classically distributed. Ivy takes care of the children, Theo works.

When a stormy night changes her life forever, not only Theo’s designed Marinemuseum falter, the course of your marriage is also changing. The fact that they have children is a big prize to tip the conflict. They actually envy each other. Both want to be good parents and just as successful at work. However, combining the child and career has never been easy. Instead of looking for a sensible solution, the two alphagean people are more and more involved in their stuck roles. Even when they apparently found a recipe for happiness, they are more distant than ever.

Actually, you discover much earlier that something goes wrong in this life. Theos and Ivy’s friends fulfill an American cliché. You need a gun license for joint activities, one of them is hypersexual, another couple have a toxic marriage. All of this is a bit too exaggerated, but in contrast to Ivy and Theo, which act quite credibly, the constellation works quite well. Olivia Colman and Benedict Cumberbatch have been friends for years, but have never played together. The chemistry between the two is right. While Colman aka Ivy chats the worst meanness with a sharp tongue with great ease, Cumberbatch mimics the breastfeeding thinker, who smiths rather perfidious plans to sabotage Ivy’s success.

Ultimately, like in the old template, they fight like children who run around their favorite toys. Both want the house by the sea in which Theo’s whole ego is. The timelessly beautiful villa, from Production designer Mark Ricker in Scandinavian style in simple colors and natural materials, gives space for a large spectacle. It is a matter of honor that a chandelier will crash off the ceiling. But until the time comes, many small taunts, carelessness and malice are needed and that is a lot of fun.

«The rose battle. In war and in love everything is allowed »: USA/Great Britain 2024. Director: Jay Roach. With: Olivia Colman, Benedict Cumberbatch, Andy Samberg. 100 minutes. Runs in the cinema.

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